NiSi Filters Australia

NiSi Cinema 4×5.65” Allure Mist Black Filter (1/4 Stop)

Reduces Highlights and Lowers Contrast Softens Wrinkles and Blemishes 4mm Thich Optical Glass Construction Soft Pouch

NiSi Cinema 4×5.65” Allure Mist Black Filter (1/4 Stop) - Main image
$334.33 $499 In stock

Category: Mist Filters 4 x 5.65

The NiSi Cinema 4×5.65″ Allure Mist Black Filter (1/4 Stop) reduces highlights and lowers contrast and softens wrinkles and blemishes.  Numerous strategies have been developed for softening or diffusing images to create that special “atmosphere” by softening excess sharpness and contrast.

The Nisi 4×5.65” Range is compatible with all leading brands of matte boxes that fit the 4×5.65” standard. The cinema filters also conform with the 4mm thickness allowing them to fit into filter cages or slot into cageless designs. A leatherette pouch is included for storage and transport. Also available is a larger filter case to organize and keep multiple filters at once.

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Standard Shipping: Handling (business days) 0–1; Transit (business days) 7–15.

Express Shipping: Handling (business days) 0–1; Transit (business days) 7–15.

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United States · Return window (days after delivery): 30. Return method: By mail. Return postage: Seller pays.

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Customer Reviews (4.8 / 5 · 5 reviews)

Joshua ★★★★★

The 1/4 stop effect is subtle but perfectly smooths out skin tones without looking fake, even in direct sunlight. It really excels at taming harsh highlights while preserving detail in the shadows. A solid addition to my filter kit for portrait work.

Eva ★★★★★

Shot a portrait session yesterday and the 1/4 stop strength did exactly what I wanted—wrinkles and blemishes softened without losing detail in the eyes. The black mist keeps blacks from lifting too much, which I’ve struggled with on other diffusion filters. It’s become a permanent part of my kit for

Lucy ★★★★★

The mist effect is beautifully subtle—it softens skin textures without making the whole frame look hazy, and the highlight roll-off is exactly what I wanted for interview setups. It's the first filter I reach for on close-ups now, and it doesn't muddy the blacks at all.